Bolt Thrower - In Battle There Is No Law (1988)

For those of you who haven't heard of Bolt Thrower, they are a 5 piece Death Metal/Grindcore band from Coventry, England who formed in 1986. They consist of Karl Willetts (Vocals), Barry Thompson (Guitar), Gavin Ward (Guitar), Jo-Anne Bench (Bass), and Martin "Kiddie" Kearns (Drums). They originally got their name from a weapon used in the tabletop strategy game of Warhammer Fantasy Battle. They are currently signed to Metal Blade Records.

In Battle There Is No Law is Bolt Thrower's first album, which was preceded by 4 demo albums and 1 EP. The album consists of 9 tracks which include "In Battle There Is No Law", "Challenge for Power", "Forgotten Existence", "Denial of Destiny", "Blind to Defeat", "Concession of Pain", "Attack in the Aftermath", "Psychological Warfare", and "Nuclear Annihilation". The album was recorded with most of their current line-up, except instead of Martin Kearns, they had Andrew Whale on the drums. The album overall is quite different from other Grindcore albums around this time (mainly, Napalm Death's album Scum), in that while Napalm Death was (and still is) fast paced and constantly spitting out the vocals at you, Bolt Thrower takes a slower approach to their tracks. They start slow and then progressively speed up (this is more evident on their later albums, mainly 1992's album "The IVth Crusade"). I'm still surprised that this album was released in 1988, as Karl sounds more and more like the modern day Death Metal bands, his growl is low and purposeful (if a growl can be that). The guitars on the album mix so well together as well. The drums were really loud (mainly the bass drum) but they didn't overpower the mix. The bass is extremely well done, and (little bit of a fact here) Jo-Anne Bench is one of the first female Death Metal musicians (not a screamer, but still a part of the Death Metal scene). The album just kicked ass.

Overall, an extremely well done first album in a time when the genre was first emerging. If you're into Napalm Death, Obituary, Unleashed, Benediction, Dismember, Grave, or Hail of Bullets, you should check out Bolt Thrower. The album was released on June 12, 1988 and is available on amazon (although not currently available) and iTunes.

Overall Rating: 4.4 out of 5.0

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Bolt Thrower's Website

Dir en Grey - Withering to Death (2006)

For most of you who haven't heard of Dir en Grey, they are a 5 piece J-Rock, J-Metal, Metal, Alternative Rock, well, let's just go with Various Rock band from Osaka, Japan. They formed in 1997 and have had the same line-up of Kyo (Vocals), Kaoru (Guitar), Die (Guitar), Toshiya (Bass), and Shinya (Drums). Their first recognization outside of Japan into the US market of music was their 2006 release Withering to Death (other albums were released only in Asia while some were released in Asia and Europe). They are currently signed to Free-Will Records, which is a division of Sony Music.

Withering to Death is Dir en Grey's fifth studio album and was Dir en Grey's first official album released in Europe and North America (their previous album "Vulgar" was originally released in 2003 in Asia, but was released in Europe 3 months after Withering to Death). The album consists of fourteen tracks which include "Merciless Cult", "C", "Saku", "Kodoku ni Shisu, Yueni Kodoku", "Itoshisa Ha Fuhai ni Tsuki", "Jesus Christ R 'n R", "Garbage", "Machiavellism", "Dead Tree", "The Final", "Beautiful Dirt", "Spilled Milk", "Higeki wa Mabuta wo Oroshita Yasashiki Utsu", and "Kodou". Upon my first listening to the album (about 2 or 3 years ago now), I could only listen to the first three songs, which on my first listening, were amazing. Now that I have finally listened to the full album (I've listened to the track "The Final" in between those times), I can see how this got Dir en Grey onto the North American market. This album shows how talented Kyo is as a singer, at one point he can be singing so sincerely while in the next few seconds he can change to a death growl and back again to the nice side of his vocals. This is shown in depth in the songs "Merciless Cult" and "Saku" and is apparent in other songs as well. Saku was the album's second single and was voted as MTV2's Headbanger's Ball #1 Video of 2006, and it is a damn good song, it encompases screams, mid-tone vocals, fast paced growls, and even falsettos. All of that is over an already amazing band. To get a feeling for most of Dir en Grey's songs, if the guitars sound darker, it typically means that Kaoru wrote the song, while the more upbeat songs are usually written by Die.

Overall, the album was incredible, I honestly could not find anything wrong with it at all. Though not the band's best seller, it is their breakthrough album into North America and Europe. If you're into Maximum the Hormone, J-Metal, or even Metalcore to an extent, you should check them out. The album was released on May 16, 2006 in the US and is available on Amazon and itunes.

Overall Rating: 5.0 out of 5.0

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Dir en Grey's Website

Napalm Death - Scum (1987)

Napalm Death, for those of you who haven't listened to them before, is a four piece Grindcore band from Birmingham, England. They formed in 1981 and are considered to be the creators of Grindcore by mixing Crust Punk with Death Metal. They are currently signed to Century Media and consist of Mark "Barney" Greenway (Vocals), Mitch Harris (Guitar & Backing Vocals), Shane Embury (Bass), and Danny Herrera (Drums).

Napalm Death's 1987 album Scum was the first full length release for the band after seven demo tapes. The original founders of the band had all left the band before this release and the lineup on the album consisted of Nik Bullen (Vocals & Bass for tracks 1-12), Justin Broadrick (Guitar for tracks 1-12), Lee Dorian (Vocals for tracks 13-28), Bill Steer (Guitar for tracks 13-28), Jim Whitley (Bass for tracks 13-28), and Mick Harris (Drums). The album consists of 28 tracks that include "Multinational Corporations", "Instinct of Survival", "The Kill", "Scum", "Caught in a Dream", "Polluted Minds", "Sacrificed", "Siege of Power", "Control", "Born on Your Knees", "Human Garbage", "You Suffer" (the current Guiness Book of World Records holder for shortest song ever recorded, at 1.316 seconds), "Life?", "Prison Without Walls", "Point of No Return", "Negative Approach", "Success?", "Deceiver", "C.S. (Conservative Shithead)", "Parasites", "Pseudo Youth", "Divine Death", "As the Machine Rolls On", "Common Enemy", "Moral Crusade", "Stigmatized", "M.A.D.", "Dragnet". When I first listened to this album, it didn't really go over so well with me. I was accustomed to the typical Barney Greenway vocals of Napalm Death and not the Nik Bullen and Lee Dorian vocals, which is why I was thrown off at first. The album is hard hitting and grows on you. Lots of blast beats and fast paced tempos, which slowed down at odd points throughout the songs. The album almost takes on a different feel after "You Suffer", mainly cause of the different lineup. Nik Bullen's vocals on the album are more of him just shouting as fast as he can, where as Lee Dorian's vocals on it are more growl like and fast paced.

Overall, the album was okay the second time around. It takes a few times listening through to fully get the feel of the album. If you're a fan of Death, Obituary, Carcass, or Grindcore in general, you should have the album in your collection. It's well done for their first release. The album was released on May 6, 1987, and you can get the album on itunes and amazon.

Overall Rating: 4.1 out of 5

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Napalm Death's Website

Annotations of an Autopsy - II: The Reign of Darkness (2010)

For those of you who haven't heard of AOAA, they're a 5 piece death metal band (earlier works could be considered more deathcore than anything else) from Lowestoft, England which formed in 2006. They consist of Steve "Sewer Mouth" Regan (Vocals), Jamie "Chinstrap" Sweeney (Guitar), Sam Dawkins (Guitar), Nath Applegate (Bass), and Brad Merry (Drums). They are currently signed to Nuclear Blast and Siege of Amida, previous works were signed to This City is Burning Records (2007's Welcome to Sludge City EP, currently out of print), and Ferret Records (2008's Before the Throne of Infection, their first full-length album). And now onto the review.

II: The Reign of Darkness contains 11 tracks. The album starts off with the intro track "And So It Begins...", which starts off with what appears to be a beating heart and other ambient noises. As the track progresses, it gets, what can best be described as metal being sharpened, while a recording of a broadcast message plays and an air raid siren goes off. This begins to set the mood of the album as sort of a post-apocalyptic take over (thus the album title "The Reign of Darkness"). The track then goes silent for a split second before the broadcasted message states "We're Doomed!" and then kicks off into the cd with a quick 2 second blast of drums starting off the track "In Snakes I Bathe", which leads to "Born Dead", "Bone Crown" (Featuring guest vocalist Erik Rutan, most famous for his work with Morbid Angel), "Emptiness", "Catastrophic Hybridization", "VII: The Horror, The Destruction...", "Impale the Sun", "Portrait of Souls", "Cryogenica", and ends with "Into the Black Slumber". Throughout the album, the tracks vary from subject to subject, as AOAA's lyrical styles mostly deal with subjects such as Gore, Death, and Sodomy, but it all holds together throughly. Certain tracks stick out as almost anthems, mainly "Bone Crown" as it starts and ends with Steve Regan chanting "I Am Hell" with the feeling that there is a large mob chanting with him. The album also contains what is rarely seen in death metal, that being the instrumental track, in this case it being "VII: The Horror, The Destruction..." which feels as though it's been influenced by Mastodon (mainly the song "Battle at Sea" from their EP "Lifesblood"), and it really holds up with the rest of the album. There was only one thing I didn't like about the album and that was the track "Into the Black Slumber". The track starts off sounding like there's a rain storm taking place. Normally I would start to think of Raining Blood and automatically go "SLAYER!!!!!" but alas, it was not so. After the raining, the track gets a sort of groove going, with the effect of thunder in the background. There's some pretty fast and technical drumming throughout the track, which I love in a song, the downside of the song for myself is in the ending. The track itself is 8:26 in length, yet the song itself starts at 20 seconds and ends at 6:24, you might be wondering at this point "what about the other 2:30?", like I said before, all omnious rain effects, it just seems drawn out.

Overall though, a solid performance throughout, would definitely reccommend it. If you're a fan of bands such as Whitechapel, Between the Buried and Me (Steve Regan's growls sound like a combination of Phil Bozeman and Tommy Giles Rogers), Job for a Cowboy, Suicide Silence, and even Cannibal Corpse, you might want to check Annotations of an Autopsy out. If you're looking for a copy of the album, it was released on January 18th, 2010 in the UK and was released worldwide on February 9, 2010, you can purchase the album on amazon (link at the end) or check out itunes as they're on there as well.

Overall rating: 4.2 out of 5

Buy the Album Here
Annotation of an Autopsy's Website